For the past five years, we have been privileged to oversee the H+U+D initiative aiming to contribute new sensibilities and collaborations centered on humanities, urbanism and design (hence H+U+D) to Penn’s scholarly climate. As we have worked with faculty and students, promoting interdisciplinary scholarship and building social capital, we have also laid the groundwork a renewed Mellon-sponsored project, “The Inclusive City, Past, Present, Future” (H+U+D 2.0), that will, again bring together faculty and students from the Schools of Arts and Sciences and Design. We found that H+U+D has been successful in three areas that we will replicate, slightly modified in H+U+D 2.0. They are:

Penn’s Mellon Foundation-sponsored Humanities, Urbanism and Design (H+U+D) initiative has had another productive year in 2016-2017. It has hosted its fourth cohort of faculty into the H+U+D Colloquium, which has met bi-weekly through the academic year and taken three field trips; it has sponsored three courses (two undergraduate City Seminars and a Graduate Problematics Seminar); it has sponsored public lectures, panel discussions and presentations at professional conferences; it has underwritten undergraduate and doctoral research; and it has welcomed two H+U+D Junior Fellows.

We want to emphasize that we have sustained the vitality of this project through four year. The various projects established under the wing of the H+U+D initiative have flourished. Most notably, faculty collaborations in research and teaching have emerged that, without H+U+D, would never have existed. And this collaboration has been woven into Penn’s academic culture. To date, the Initiative has sponsored sixteen courses–most of them cross-listed and co-taught, which has begun to imbue Penn’s curriculum with an understanding of the linkages between the humanities and design. Notably, these faculty teaching teams have developed ongoing synergies among themselves and their students, reaching outside the classroom and beyond the end of the semester.

Over the past years, H+U+D Initiative has contributed to scholarship. Colloquium members have published monographs, journal articles and created works of art and architecture, all of which has been shaped by and discussed in our bi-weekly meetings. Undergraduates have written remarkable capstone theses, while doctoral students have enriched their dissertation research with H+U+D Initiative awards; and their voices have been heard, too, in the Colloquium.

As we contemplate the final year of the H+U+D Initiative, we envision a year of reflection and assessment as we seek to record and institutionalize our work.

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Hans Hoffman Mural , 711 Third Ave, New York, NY

What is the public fate of abstract art in the twentieth century? Can it engage with the urban environment and its inhabitants? This talk looks at various abstract painters, like Lee Krasner and Adolph Gottlieb, who executed large-scale, public mural projects in 1950s New York. Installed on facades and in lobbies, these murals marked the thresholds between various institutions—civic, religious, and corporate—and the public streetscape of a changing postwar city. Taking their place amidst the soaring surfaces and glass curtain walls of mid-century International Style architecture, such murals traded painterly texture for the flinty gleam of mosaic, and thick pigment for the permeable translucency of stained glass. In these and other ways, the murals transformed what had often been a private, subjective idiom into a form of publicity: a public language capable of broadcasting an institution’s character or status to passersby. The resulting murals, little known today, raise important questions about abstraction and communication, the relationship between architectural and painterly modernism, and art’s role in the postwar urban fabric.

Immigrants are no strangers in the history of urbanization in the US. The US has experienced four great waves of immigration. The latest wave, starting in 1965, has brought 59 million newcomers to the US. The impact of these new immigrants on the US communities is largely understood based on their contribution to the labor market, local economy, population size, and demographic composition. This narrative largely views immigrants as passive objects whose mere presence in the US imposes a cost (e.g. dependency on welfare) or provides benefit (e.g. consumption of local services) for the receiving communities. However, in return, they also shape and modify their new environments based on their owns needs, cultures and social relations. This pilot study aims to expand the current discussion on the “immigrants’ effect” by focusing on the active role that immigrants play in the host country.

The food industry is the largest employer of foreign born workers. Immigrants also use food as an essential tool to maintain their culture, self-identify themselves in a multiethnic country, and integrate into the culture of the host country by modifying and mainstreaming their ethnic foods. Moreover, the landscape of neighborhoods with ethnic food markets and services is subject to transformation through particular styles in which immigrants advertise and introduce their businesses. Thus, this study explores the ways that immigrant entrepreneurs culturally and spatially transform their new environment through their engagement in food-related practices by pursuing the following questions 1) How do immigrant entrepreneurs participate in the supply chain of ethnic foods? 2) How do immigrants (re)shape the food industry around their own needs, cultures and social relations?

Philadelphia, a gateway for early European immigrants, is now home to an increasing population of new immigrants from Southeast Asia, Latin America and the Caribbean. The interaction between newcomers and their receiving communities plays a major role in the transformation of immigrant-recipient cities. Newcomers reside in old immigrant communities, reshaping the demography and economy of these places, and continuing the legacy of vibrant old immigrant neighborhoods through establishing small businesses. This study employs a qualitative research design, consisting of a visual ethnography of ethnic food markets and a multi-case study of immigrant food entrepreneurs in Italian, Mexican and Vietnamese food markets. The data relies on interviews with immigrant food retailers to understand how the cultural practices and ethnic identity of immigrants impact their individual businesses, the food industry, and consequently their urban neighborhoods.

In FY 2015-2016, the Humanities, Urbanism and Design (H+U+D) Initiative continued its five core components:  the H+U+D Colloquium, course support, student research awards, public lectures and conference support, and the placement of two Junior Fellows for 2015-2016.

Most important,  H+U+D initiative, now in its third year, produced many tangible outcomes. The various projects under its wing have flourished. New faculty collaborations have emerged that without H+U+D would never have existed. For example nine H+U+D-sponsored courses in the School of Design and the School of Arts and Sciences at the undergraduate and graduate levels are co-taught by faculty from each school. These faculty teams have developed ongoing synergies among themselves and their students that go well beyond the actual classes.

In addition to H+U+D’s substantial contributions to both schools’ curricula, it has also supported public lectures, exhibitions, conferences, and course development that have greatly enriched the university community’s discourse on urbanism. Student and faculty research is breaking new ground thanks to the H+U+D support. Two H+U+D Junior Fellows have joined the ongoing H+U+D Faculty Colloquium that meets bi-weekly. Faculty in the Colloquium are sharing and publishing H+U+D-sponsored research.

This report outlines the content of the H+U+D Initiative’s programs and identifies its growing number of participants.

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“Monumental Routes” is a multi-scalar project employing digital and geographic techniques to study the complex relationship between movement and the built environment on the Central Anatolian Plateau during the Iron Age (10th-8th c. BCE). The focus of my project is the cultural landscape of Gordion, an Iron Age urban center in central Turkey that has undergone almost continual excavation by the University of Pennsylvania Museum of Archaeology and Anthropology since the 1950’s. My project combines digital and humanistic perspectives, connecting monumentality, route networks, and urbanism to analyze spatial organization within Anatolian communities.

In my dissertation I identify and describe the ancient routes around Gordion that linked the city to other nearby, contemporary settlements. I detail how routes were monumentalized during the Iron Age by the construction of adjacent burial mounds, and describe the experience of travelling along them. To accomplish these goals, I employ techniques such as GIS (Geographic Information Systems) analysis, aerial photography, photogrammetry, and personally traveling these routes to gain an understanding of the landscape from a human perspective. My project clarifies the extent and intensity of communication between nucleated settlements within Gordion’s local region. It also helps us to understand the degree of political control exercised by the rulers of Gordion over the landscape and nearby settlements around them.

The current intensive agricultural practices and rapid development in Turkey are erasing the traces of past cultures in the landscape at a greater rate than ever before. My project seeks to investigate how people shape and are shaped by the landscape around them in a recursive cycle that is difficult but important to understand. It is critical to create a lasting record of the still surviving Iron Age features so that they can illuminate the complex spatial and social configurations of one of the great empires of ancient Turkey.